- Kramer ferrington pickup replacement serial#
- Kramer ferrington pickup replacement professional#
- Kramer ferrington pickup replacement series#
Despite his babying this guitar, he trashed this guitar during the infamous Tree Club show (seen 2). It had two black, single coil sized pickups with a white mother-of-pearl pickguard the bridge was replaced with a Stewart MacDonald Gotoh Tune-O-Matic (Kurt's favorite)(57) before the Argentina trip. Kurt's Mustang was lake placid blue with matching headstock. The "Fender Book" says that the competitions, quote, "sometimes" came with matching headstocks.(11).
Kramer ferrington pickup replacement series#
Fender produced the Mustang competition series from around 1968-1973 and they are easily identifiable by the three racing stripes on the body. This is the guitar from the "Smells Like Teen Spirit" music video however, Kurt had been seen using it often during shows (seen 2,10,15). It was purchased around the same time as his Jaguar (discussed later), just prior to recording "Nevermind" (57).
Kramer ferrington pickup replacement serial#
One of the most note-worthy of the assorted lefty Mustangs he used was a 1969 Lake Placid Blue "competition" Mustang, serial # F 279651 (59). Kurt said that his favorite guitar was a Mustang (9).ġ). If a right-handed guitar is mentioned in this document, it was being played this way. That will tell you definitively if you are playing a keeper or a clunker.Kurt played guitar left-handed, mostly using left-handed guitars, but sometimes using a right-handed guitar strung for a lefty and played upside down.
If you are looking to buy a Kramer Ferrington, I would recommend playing it through a P.A. But based on the price, mine is an extraordinary value and sounds as good as an acoustic electric that would cost much more. I won't go on record saying that there aren't better hybrid acoustic electrics out there, that would be silly. It isn't hard for me to believe that I might just be "the lucky one" to have purchased a Ferrington that really does shine. Because of this, I'm assuming Kramer must have hand-picked which instrument they wanted this musician to receive. as a promotional "If you like it please play it in front of as many people as possible" effort.
Kramer ferrington pickup replacement professional#
Mine was originally given by Kramer to a professional guitarist in L.A. I have little doubt that the quality control of these guitars wasn't top drawer and therefore one person could theoretically get a Gem and the next person get a complete Dud. It almost sounds like we're talking about two different guitars. I am amazed when I read people saying that it has a thin trebly tone and how that contrasts to the tone I get without even trying. The best description of my tone through a regular amp would be "coarse". I'm not sure what amplification the other reviewers were using but if they were using a regular amp, this could partially explain the bad tone they described. The frequencies are simply not accurately reproduced. I also would not judge any acoustic electric on its sound through a traditional electric guitar amp. A thin pick works better to get a smoother, sparklier tone. I currently have light, bronze acoustic strings installed since I believe they give a more accurate acoustic tone than electric guitar strings. So please don't cop the attitude people sometimes do on these reviews and say "this guy is an idiot if he thinks. I only paid $200 for the guitar so it wouldn't be a hardship for me to cut my losses and say, "Yup! It sucks!". No, I'm not a Flake on drugs with no experience or objectivity. There were subtle audible differences but I dare say the the differences were indeed subtle and if you insist on assuming that the Takamine sounded better, it was not 6 times better (or whatever the price difference might indicate). Last year I was at an acoustic rehearsal with my band and was able to do a three hour long, side-by-side sonic comparison between our singer's Takamine Santa Fe (about $1,200 new) and my Ferrington ($200 used) - both were plugged directly into the P.A. Not to be confused with a mic'd acoustic, the pickup sounds like a piezo predictably would. Of course rolling them back cuts the respective frequencies accordingly. Likewise, the treble pot has a similar effect on the high frequencies. Turning the bass up will inevitably make the bass WAY too boomy. With the bass & treble controls set flat I get a sparkly tone with a warm sustaining low end. I've used this guitar now in several performance & rehearsal settings and it simply sounds great plugged into a P.A. My original review still stands but I have to say if I wrote it today I might give the sound a higher rating.
I just thought readers might be interested to hear my experiences and how they contrast to the others who have reviewed the Ferrington. This should not be interpreted as a slam on the other reviews here. I'm submitting a follow up to the review I wrote last year on my red Tele style Ferrington.
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